Xuanlin Zhu

Feminist critical analysis of an original Chinese musical about the Scottish witch trials, deploying Irigaray, Rich, and Haraway within the Chinese repo genre. With appendix tracing the protagonist's literary lineage through Ibsen, Miller, Shaw, and Williams.

Deriving formal Lipschitz bounds for Word Mover's Distance to establish a "safe interpretation zone" for algorithmic literary criticism.

A comparative analysis of Poincaré's Conventionalism, arguing that simulation parameters (refraction/temperature) dictate spatial axioms in game engines.

Critical writing sample analyzing the intersection of Walter Benjamin's aesthetic theory and procedural rhetoric.

Mixed-methods study investigating how punctuation markers like the em-dash influence user perception of "machine voice."